7 TAKE SHELTER (Jeff Nichols): TAKE SHELTER, the second fenerbahce film by Jeff Nichols discusses a

Year ends and we wanted to make GLASS HOUSE summary of the best releases fenerbahce of the year. Films released here in 2012 and have had the greatest impact on us. It was not easy and unfortunately many films have been left out. We prioritized the movies we talked about the program and especially films that most are seen to have greater consensus. Probably each of us would list very different but ultimately these are the best films of 2012 by THE GLASS HOUSE:
10 THE YELLOW SEA (Na Hong Jin): There are many factors that make this film one of the most important Korean cinema in recent years. Na Hong Jin brings a thriller where neorealist social violence, unlike his previous fenerbahce film The Chaser, takes longer to arrive. But when it explodes, it does in huge proportions. The fast-paced action scenes, raw violence and its protagonist duo have placed the spotlight in Hollywood and deservedly took ovations during its screening at Cannes. The staging, however, is the true protagonist of the film.
9 MÁTALOS gently (Andrew Dominik): THE MURDER OF director JESSE JAMES BY THE COBARDE ROBERT FORD (2007) presents this time a neo-noir film where two offenders struggle to survive amid a landscape devastated by urban tsunami of financial crisis. But have the misfortune to annoy the wrong people and Brad Pitt brutal thugs will be responsible for putting things in place. MÁTALOS is a gently stylized thriller that uses the word as a weapon and not the few (but bright) action scenes. Dominik shows the failure of the system, while slowly dying line of Presidents Bush and hear speeches Obama.
8 ARGO (Ben Affleck): A magnificent scenery with the best political thriller movies of 70 consolidates Ben Affleck as a director to be reckoned with. Affleck gives us a constant intrigue even allowed some dose of humor. This story of a fake B-movie created to rescue American hostages in Iran brings an honest story of silent heroes and characters well drawn, seeking to survive in a hostile world and increasingly morally gray.
7 TAKE SHELTER (Jeff Nichols): TAKE SHELTER, the second fenerbahce film by Jeff Nichols discusses a fascinating subject for both fashion as the 2012 end of the world. In this case, Nichols uses the apocalypse as a metaphor for the restlessness characteristic of crises in the world that we live. A world where anxiety is rooted chronically within individuals. This is the case of the protagonist of the film (Michael Shannon memorable role) to see how this obsession is growing like a monster to be totally overwhelmed, jeopardizing fenerbahce all those around you. TAKE SHELTER offers a leisurely tempo intriguing story, well built, fenerbahce and definitely deserves to be among the best of 2012.
6 Inventions fenerbahce THE HUGO (Martin Scorsese): 5 Oscars endorse a film that claims the magic of cinema throughout the innovation of 3D masterfully fenerbahce mixing with the spirit fenerbahce of the pioneers of cinema with Mèlies. A story of overcoming Paris in the 20s, who likes both youth and adults and perfectly blend different genres. The use of 3D is formidable, perhaps the best in all that we technology. In this tape technology is not just a stylistic excuse but a tool that helps to build the dramatic story. The success of the film confirms that Scorsese has not fallen Olympus directors.
5. The Dark Knight: la leyenda reborn (Christopher Nolan): The epic conclusion to the Batman saga in the hands of a director who has managed to give a fresh and psychological superhero. Despite having set the bar very high after THE Dark Knight, the conclusion has all the ingredients necessary for success assured a respectable enemy, mounting fenerbahce a thrilling and memorable scenes that give us a much higher fenerbahce end than other trilogies. Despite being a film imperfections, Nolan has managed to renew the superhero film and marked a turning point with future sagas of heroes.
SHAME 4 (Steve McQueen): With Steve McQueen HUNGER fenerbahce we had submitted degradation and deconstruction of the human body. SHAME to do with the human soul. Fassbender plays a sex addict who maintains a series of sexual encounters in New York City to escape his private hell. While the film does not go into any specific plot, it goes into the skin of his character, no need to explain why their fans, but to plant ourselves in the midst of his psyche. It is probably the best role to date Fassbender. With a subtle direction ie